VELAZQUEZ, Diego Rodriguez de Silva y
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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VELAZQUEZ, Diego Rodriguez de Silva y Prince oil painting


Prince
mk237 1626-1627 Oil on canvas 210.5x126.5cm
Painting ID::  54748
VELAZQUEZ, Diego Rodriguez de Silva y
Prince
mk237 1626-1627 Oil on canvas 210.5x126.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Yiso oil painting


Yiso
mk237 1636-1640 Oil on canvasv 179x94cm
Painting ID::  54749
VELAZQUEZ, Diego Rodriguez de Silva y
Yiso
mk237 1636-1640 Oil on canvasv 179x94cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Meinibusi oil painting


Meinibusi
mk237 1639-1640 Oil on canvas 178.5x93.5cm
Painting ID::  54750
VELAZQUEZ, Diego Rodriguez de Silva y
Meinibusi
mk237 1639-1640 Oil on canvas 178.5x93.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y A Girl oil painting


A Girl
mk237 1635-1643 Oil on canvas 74x60cm
Painting ID::  54751
VELAZQUEZ, Diego Rodriguez de Silva y
A Girl
mk237 1635-1643 Oil on canvas 74x60cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y A Girl oil painting


A Girl
mk237 1635-1643 Oil on canvas
Painting ID::  54752
VELAZQUEZ, Diego Rodriguez de Silva y
A Girl
mk237 1635-1643 Oil on canvas
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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